- biographer (n.)
[biographer 词源字典] - 1715; see biography + -er (1). Earlier was biographist (1660s).
Of every great and eminent character, part breaks forth into public view, and part lies hid in domestic privacy. Those qualities which have been exerted in any known and lasting performances may, at any distance of time, be traced and estimated; but silent excellencies are soon forgotten; and those minute peculiarities which discriminate every man from all others, if the are not recorded by those whom personal knowledge enabled to observe them, are irrecoverably lost. [Johnson, "Life of Sir Thomas Browne," 1756]
[biographer etymology, biographer origin, 英语词源] - cockney (n.)
- c. 1600, usually said to be from rare Middle English cokenei, cokeney "spoiled child, milksop" (late 14c.), originally cokene-ey "cock's egg" (mid-14c.). Most likely disentangling of the etymology is to start from Old English cocena "cock's egg" -- genitive plural of coc "cock" + æg "egg" -- medieval term for "runt of a clutch," extended derisively c. 1520s to "town dweller," gradually narrowing thereafter to residents of a particular neighborhood in the East End of London. Liberman, however, disagrees:
[I]n all likelihood, not the etymon of ME cokeney 'milksop, simpleton; effeminate man; Londoner,' which is rather a reshaping of [Old French] acoquiné 'spoiled' (participle). However, this derivation poses some phonetic problems that have not been resolved.
The accent so called from 1890, but the speech peculiarities were noted from 17c. As an adjective in this sense, from 1630s. - folk-music (n.)
- "music of the people," 1852 (Andrew Hamilton, "Sixteen Months in the Danish Isles"), from folk in the "of the people" sense (also see folklore) + music. Modeled on German Volksmusik. In reference to a branch of modern popular music imitative of the simple and artless style of music originating among the common people (originally associated with Greenwich Village in New York City) it dates from 1958.
Of airs properly national, it should be remembered, the composers are not known. They are found existing among the people, who are ignorant of their origin. They are, to borrow a German phrase, folk-music. [Richard Grant White, "National Hymns," New York, 1861]
The term National Music implies that music, which, appertaining to a nation or tribe, whose individual emotions and passions it expresses, exhibits certain peculiarities more or less characteristic, which distinguish it from the music of any other nation or tribe.*
* The Germans call it Volksmusik, a designation which is very appropriate, and which I should have rendered folk-music, had this word been admissible. [Carl Engel, "An Introduction to the Study of National Music," London, 1866]
- ostrich (n.)
- early 13c., from Old French ostruce "ostrich" (Modern French autruche) and Medieval Latin ostrica, ostrigius, all from Vulgar Latin avis struthio, from Latin avis "bird" (see aviary) + Late Latin struthio "ostrich," from Greek strouthion "ostrich," from strouthos megale "big sparrow," perhaps from PIE *trozdo- "thrush" (see thrush (n.1)). The Greeks also knew the bird as strouthokamelos "camel-sparrow," for its long neck. Among its proverbial peculiarities are indiscriminate voracity (especially a habit of swallowing iron and stone to aid digestion), want of regard for its eggs, and a tendency to hide its head in the sand when pursued.
Like the Austridge, who hiding her little head, supposeth her great body obscured. [1623, recorded in OED]
Ostriches do put their heads in the sand, but ostrich farmers say they do this in search of something to eat. - peculiarity (n.)
- c. 1600, "exclusive possession;" 1640s, "special characteristic," from peculiar + -ity, or else from Latin peculiaritas. Meaning "an oddity" is attested by 1777. Related: Peculiarities.
- race (n.2)
- "people of common descent," a word from the 16th century, from Middle French race, earlier razza "race, breed, lineage, family" (16c.), possibly from Italian razza, of unknown origin (cognate with Spanish and Portuguese raza). Etymologists say no connection with Latin radix "root," though they admit this might have influenced the "tribe, nation" sense.
Original senses in English included "wines with characteristic flavor" (1520), "group of people with common occupation" (c. 1500), and "generation" (1540s). Meaning "tribe, nation, or people regarded as of common stock" is by 1560s. Modern meaning of "one of the great divisions of mankind based on physical peculiarities" is from 1774 (though as OED points out, even among anthropologists there never has been an accepted classification of these).Just being a Negro doesn't qualify you to understand the race situation any more than being sick makes you an expert on medicine. [Dick Gregory, 1964]
In mid-20c. U.S. music catalogues, "Negro." Klein suggests these derive from Arabic ra's "head, beginning, origin" (compare Hebrew rosh). Old English þeode meant both "race, folk, nation" and "language;" as a verb, geþeodan, it meant "to unite, to join." - westernize (adj.)
- also westernise, 1837, originally in reference to the U.S. West, from western + -ize.
Emigrants from Europe have brought the peculiarities of the nations and countries from whence they have originated, but are fast losing their national manners and feelings, and, to use a provincial term, will soon become "westernized." [J.M. Peck, "A New Guide for Emigrants to the West," Boston, 1837]
In reference to Europeanizing of Middle Eastern or Asian places and persons, from 1867. Related: Westernized; westernizing.
